"We've seen the landfill rainbow, we've seen the junkyard of love. Baby it's no place for you and me..."

Cincinnati's own Over the Rhine borrowed their name from one of the city's most colorful and controversial neighborhoods. From its earliest days, the area served as a port-of-entry for immigrants and, over the years, has become a melting pot where people strive to make better lives for themselves. It's here in this storied neighborhood that Karin Bergquist and Linford Detweiler first began making their music, somehow imbuing it with the tattered but lovely craftsmanship and sense of history that surrounded them.

The band first began performing together in 1990 in local Cincinnati clubs and gathering places. Their first show at Sudsy Malone's - on a Monday night - drew about 20 people and most of them friends. But even from these somewhat humble beginnings, audiences immediately believed they had stumbled onto something special. Enveloping their listeners like family, Karin and Linford kept them close to the fold with simple candle-lit stages and playful handwritten newsletters. But above all else, it was the band's songs that drew in more and more eager fans. Karin Bergquist's voice, full of longing and love, seemed to pierce the soul and became the unmistakable focal point of Over the Rhine's richly spiritual music

Many people who heard Over the Rhine had the strong intuition from the very beginning that these songs were going to be around for a long time. Over the Rhine landed a publishing deal with MCA a few months after their first show at Sudsy's and received an invitation to open a handful of shows around the Midwest for Bob Dylan. They toured 25 cities with Adrian Belew on their first national tour, and played at festivals in Holland and England.

Offers for record deals came in shortly thereafter and, after ten recordings, Over the Rhine has won the respect of many of their peers. Canadian singer/songwriter Sarah McLachlan made a special effort to meet Karin and let her know that she was a fan. Over the Rhine and their music have been referenced by name in such prime time television shows as The X-Files and Angel, and their songs have been heard on Third Watch, Felicity, Jack and Bobby and Mysterious Ways as well as on international compilations alongside artists such as Radiohead, Coldplay, and Dido.

For their new album, Drunkard's Prayer, Over the Rhine re-immerse themselves in profoundly deep waters, opening the floodgates of their personal relationship. A relaxed, emotionally vulnerable record made in their living room, the album showcases the sonic warmth that can come from recording at home.

"Part of the challenge of being a working musician," explains Linford, "is just being away from home so much. On the one hand, it's a real privilege to be able to perform our songs in front of an appreciative audience. On the other, it's difficult to establish rhythms, be rooted, and build a good life at home when we're constantly coming and going." So, the pair opted to record the album in their living room, in a wooden house lovingly called the "Grey Ghost."

AAlready a fan favorite, the title track, Drunkard's Prayer, holds a special place among the songs on the album. Karin explains, "It was the first song we recorded and it set the tone for the songs that followed. Everybody wants to be drunk on the good stuff – drunk on life, love, music, the wine of God, and what not. It seemed natural to name the record after it. Also, Drunkard's Prayer sounds a little like the name of a race horse, a long shot, a horse with little chance of winning, but the one you've got all your money on. We put the image of a white horse on the cover, which we associate with redemption, and we feel the songs on this record tell the story of two people finding their way back home after almost losing everything, each other included."

"There's a lot of love on this one."

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